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Small, devoted considerable effort to show how specific speaker parameters define the relationship between a speaker and a particular enclosure. In the early ‘70s, two engineers, named A.N. Any speaker will produce sound in any cabinet, but optimizing the relationship between the speaker and the enclosure is the key to good bass. Shaping the low-end (bass frequencies below 300Hz) is the reason for choosing a particular enclosure type. A speaker’s cone response dictates the signature shape or sound of the enclosure beyond 200-300Hz ( figure 1). A baffle that does not resonate with the speaker must be made from a solid and thick material. If not mounted to a baffle and simply placed on a solid surface, the vibration created from the speaker’s movement may be louder than the sound it emits. The baffle also absorbs vibration created by the speaker. This is further accentuated with lower frequencies, and the main reason for mounting a speaker on a baffle. If not separated, the output from the front and rear of the cone would cancel each other out. These sound waves must be separated to achieve usable output. Sound is produced from the front and the rear of a speaker’s cone. A speaker produces minimal output in free-air (outside of a cabinet). This article will be used for the details I feel will help bass players the most.įirst, let’s think about the role of the speaker.
SPEAKER ENCLOSURE DESIGN SOFTWARE FREE PRO
Whether you find information about car audio, home hi-fi, pro audio or bass guitar, the principles are basically the same. There is also plenty of software available online to help you with calculations. For the DIY guys and players interested in obtaining more knowledge, there is a wealth of information available online to learn more about cabinet design. It would take a couple of articles this size just to introduce the terminology. It took me a while to decide what details to cover, and I soon realized it might require a book to cover the concepts of cabinet design. I suppose thats more like £300, and I have spend that easily many times over in raw drive units, so if I look at it that way.The following article was written by Anthony Lucas for Bass Gear Magazine.Īre sealed or ported enclosures better for bass guitar? What are the differences between them? In this article, I will compare the two most common types of bass guitar enclosures and try to highlight the benefits and shortcomings of each. The only problem is that the $450 is a bit steep. Unfortunately for me I would find the real time crossover thing that enables you to listen to the xover which you have simulated really useful. If you can buy the version of LSPcad (the one which costs $120 or something) then im sure you will be very happy with wha it can do. I have used Aduas Louspeakers workshop before and can rate it well as a begginer program as its all free, but I find it extremely limited in what it can do. Am I missing something?Ĭan the lite version calculate values for active filters, if not is there a program that does and allows you to optomize? I d/l the lite version and all I could get it to do was to calculate boxes. If it does then that would be really useful. Does LspCAD lite enable you to optimize?, I remember having a version about a year back which did, just like in the demo version that only allows you to use the sample drivers.